Fucking Hell, that damn Irish blasphemy law

There could perhaps be no better (or worse, depending on your religious inclination) day to open a blasphemous art exhibition than Good Friday. As many Irish Catholics were dutifully attending church, a group of young, well-dressed Dubliners gathered in the Irish Museum of Contemporary Art to view an exhibition inspired by the country's new — and much loathed — antiblasphemy law.

The first artwork to greet the visitors to "Blasphemous" is a grotesque variation on Michelangelo's Pieta, with the Virgin Mary transformed into a malicious giant rat. Next is a multimedia piece called Resur-erection that references the Irish Catholic sex-abuse scandals of recent months and features stop-motion priests and bishops in suspicious scenarios. Another exhibit simply and bluntly declares "F___ Christmas" in baubles and fairy lights. The reaction of gallery-goers on opening day ranged from bemusement to gratitude that at least one venue in Dublin's capital was serving alcohol on the most abstinent of Irish religious holidays. But for curator K. Bear Koss, the objective of the exhibition is very serious: "We want to raise awareness about the new blasphemy law," he says, "and to celebrate the freedoms of discourse that the law seeks to stifle."

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